Malmö Graffitti

Taken with a Samsung S3 Mini, processed in Lightroom 4.

Walking Street in Malmö

Nikon D300s and 35mm Nikkor f/1.8G DX AF-S lens.

Portrait with the Nikkor 50mm f1.8D

Have I mentioned before that the Nikkor 50mm f1.8D makes a really nice portrait lens? ;-) Hehe!

Lighting: Elinchrom D-Lite-it 2 with a snoot from above and behind the subject pointing down at the subject from the right side of the portrait. Elinchrom D-lite-it 4 with 65x65cm soft-box from above camera and very slightly left. Edited in Lightroom 4. Vignette added.

A Heart for Valentine's Day!

"On Location" Studio Portrait Shoot

I shot a series of portraits for a someone over the weekend and decided to share this one simply because this wonderful man's face really caught my eye, some people are just great to photograph and he was a natural!

I had a load of fun and was reminded once again that I am in this because I love working with people, and seeing them happy with something as personal as their portrait just makes my day!

Truth in Photography by Calvin and Hobbs.

Haha! Love Calvin and Hobbs, so much common everyday truth!

You can find it here: http://www.gocomics.com/calvinandhobbes/2012/09/20

Sunflower Centre

Nikon D90, AF-S DX Micro Nikkor 40mm f/2.8G, ISO200, Manual mode, f8, 1/125s, Nikon sb700 triggered wirelessly via CLS and bounced into an umbrella to camera left.

Inside the Crypt of the Domkyrka in Lund, Sweden.

Nikon D90, Nikkor 35mm f1.8G DX, ISO800, Aperture Priority mode, f2.8, 1/6s, hand held, edited in Corel Paintshop Pro X4.

Another Take on Photographing a Bottle of Wine

As you know I recently posted something on shooting a bottle of wine in a light tent, to see it CLICK HERE.

Well, this time around I wanted to try something a little different than the last shoot and go for an entirely different look.

The Power of Bounced Flash!

Nikon sb600 atop my D300s turned backwards and about 45° upwards to bounce onto the wall and ceiling behind me. This simple technique resulted in even and soft lighting from a large light source and great highlights in the eyes of the subjects!

Should I work for Free?

Click on the link below for a well laid out and easy to implement graph to help you decide if you should indeed work for free:

Should I Work for Free?

And here is a handy jpeg (you can download it from the site above) that I am going to print out and hang in my office for easy reference:

:-)

Portrait of Ben (with Attitude)

Elinchrom D-Lite-it 4 snooted and shot from behind and right of the subject to give a little hair light action, Elinchrom D-Lite-it 4 through a smallish softbox aimed to just skim across the subject from camera left without throwing too much light onto the background, edited in Lightroom 4.3 to grunge the portrait up a bit. I used my favourite 50mm f1.8D attached to a Nikon D300s, with all manual settings applied.

Head to Head Shoot-out: Nikon NX2 vs Lightroom 4.3 vs DXO 8

For everyone expecting a full size analysis with clever, long and fancy words I am afraid you are going to be very disappointed. This is a straight shoot-out between Nikon NX2, Lightroom 4.3 and DXO 8. As such I will just show a number of photos that have been given only very basic and gentle massaging in all three programs. In DXO 8 it was entirely default settings, in Nikon NX2 I checked the buttons for auto repair of chromatic aberrations (CA's) while all other settings were left unchanged from default, and in Lightroom 4.3 I checked the boxes that enables the profile correction for camera and lens combination and that corrects for CA's while all other settings were left unchanged from default.

I used a hand held Nikon D90 with a Nikkor AF-S DX 18-105mm f/3.5-5.6G ED VR attached. The lens is well known for having loads of distortion and CA's.

One Bottle of Wine, One Light Tent and Two Elinchrom D-lite-it 4's.

A very simple set-up to photograph the bottle of Pomerol wine shown above:

Agfa Isolette

I originally posted a little about this camera here: Girl with Agfa Isolette, but this time around I just got a better pic of the camera. More about it at the Camerapedia website, simply CLICK HERE.

Some time or the other I need to get all the ingredients to develop my own film and then I may have a stab at actually using it.

Nikon D300s, Nikkor 40mm f/2.8G AF-S DX Micro, 80x80cm light tent, 2xElinchrom D-Lite-it 4's shot through their softboxes on either side of the tent.