Showing posts with label Nikon D90. Show all posts
Showing posts with label Nikon D90. Show all posts

9 Oct 2013

Portrait with Nikon AF-S 35mm f1.8G DX

If you want a very cheap but excellent quality "normal" lens for your crop sensor Nikon camera then I highly recommend the Nikon AF-S 35mm f1.8G DX. Here you have a lightweight and handy piece of glass that is sharp all the way from f1.8 but will not break the bank. I like to use it for anything from portraits to landscapes and it never lets me down in terms of image quality.


Since I bought it the second cheapest of Nikon's lens lineup has almost always been on my camera and sees more use than any other lens I own. No zoom? Who cares, at the price it outperforms every other Nikon lens ever made at simple IQ per $! Zoom by walking back and forth, the exercise will do you a lot of good... ;-)

7 Oct 2013

More from Inside the Spooky Crypt!

Another from the crypt beneath the Domkyrkan in Lund. If you are ever in the area it really is worth spending a couple of hours in there with your camera and a tripod.


Getting creative with the white balance slider got me closer to the effect I was really after!

3 Aug 2013

Portrait on a Bridge


Nikon sb700 Speedlight on a pole shooting through a smallish Elinchrom shoot through umbrella to camera left and triggered via Nikon's super CLS wireless trigger system. Nikon D90 on manual mode at 1/60s, f7.1, ISO 200, handheld, with the wonderful Nikkor AFS 35mm DX f1.8 lens attached.

Taken on a bridge over the moat at the Landskrona Citadel shortly after sunset.

27 May 2013

Citadellkliniken in Landskrona


The Citadellkliniken in Landskrona is probably the most beautifully located clinic I have ever seen, nestled as it is on a piece of land jutting out into the Öresund, with a lovely beach on one side and gorgeous seafront parkland on the other. Taken at 22.37 with the sky still fairly bright from a sun that set at 21.27 it is resplendent in a golden glow that couldn't be more spectacular!

Tripod, Aperture Priority, f11.0, 10.0s exposure time chosen by the camera, ISO 200, quick run through DXO and then time spent in PSP X5 working on colour, contrast and sharpening.

25 May 2013

24 May 2013

Why I think shooting after sunset is a good idea!

Yesterday I posted a comparison between a CPL filtered and un-CPL'd photograph and how using a Circular Polarising Filter can improve the look of your photographs during the day when the sun is shining.

But now I'm going to show you a photograph taken from the same spot (almost exactly) but that has a whole lot more "wow" factor simply because of the time of day it was taken. I took this photograh about 55 minutes or so after sunset but while the sun was still giving plenty of golden glow to the sky. The foreground is also lit by the street lights which kind of matches the colour of the sky, and also prevents the foreground from just being plain black.


Of course this required me going back to the beach much later and dressed a little warmer, but I think the results were well worth the effort!

At this time of the day colours are super saturated and beautiful. However, because the light is nowhere near as bright as during the day shutter speeds are way slower than while the sun is shining so a tripod becomes essential. I used f11.0 and let the camera choose it's own shutter speed which was a full 30 seconds in this particular case. A bit of playing with sliders in PSP X5 lowered the highlights, raised the shadow areas and increased the saturation some more until I got what I was after.

Nikon D90 and my trusty el cheapo 18-105mm kit "plastic fantastic" lens.

Landskrona Citadel - a High Dynamic Range Photograph.


From WikipediaLandskrona Citadel (Swedish: Citadellet or Landskrona slott) is situated in Landskrona, Scania, southern Sweden. Initially built 1549–1559 as a purely defensive fortification with two complete moats, the inner with a width of 70 metres (230 ft). The outer (complete) moat is between 40 and 70 metres (130 and 230 ft) wide, and has cross fire bastions for artillery and guns. Outside the outer moat, a third narrower moat covers the northwest and northeast. There also exist remains of a fourth moat (between the two outer moats). The fortifications and moats system surrounding the castle is known to be one of Europe's largest and best preserved.

Three bracketed photos taken 2 stops apart, a quick run through DXO 8 for the special pixie dust magic that the elves at DXO lavish upon RAW photos to make them look better, and then "Exposure Merged" in Corel Paintshop Pro X5. Tweaked the levels, contrast and did some sharpening, also in PSP X5. For this type of photography a sturdy tripod is essential because of the very long exposure times. I used my D90 and the 18-105mm kit lens, Aperture Priority and f11.0, always RAW. :-)

1 Dec 2012

Elvis Impersonator in the Mall.


...and he was really good at it too!

If anybody in South Africa knows where I can get in contact with him, please send me an email (lanthus.clark*at*gmail.com) with his email address so I can forward some pics to him.

Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, hand held, f/2.5, 1/200s, ISO400, Nikon sb600 pointing upish and bounced off the ceiling.

Venetian Painted Mask - a one light portrait.


Another version of a previous pic (in colour) from the same session that I posted here: Venetian Painted Mask

Nikon D90, Aperture Priority Mode, Nikkor 18-105mm kit lens at 105mm with VR on, hand held, f/5.6, 1/200s, ISO200, Nikon sb600 fired into a bounce umbrella to camera left.

21 Nov 2012

Toni (with an "i"), photographed in my "Strobist" style studio.


Nikon D90, Manual Mode, Nikkor 18-105mm kit lens at 105mm with VR on, hand held, f/11, 1/200s, ISO200.
A Nikon sb600 bounced in an umbrella to camera left set just slightly higher than the subject, and a Nikon sb700 bounced in an umbrella to camera right and somewhat higher than the subject (about 45 degrees), with both sb's on light stands and triggered via Nikon's excellent CLS.
Edited in Corel Paintshop Pro X4.

31 Oct 2012

A Quick Portrait.


Took a quick portrait this evening, setting up lights, shooting and packing back down all done in about 20 minutes!

Nikon D90, Manual Mode, Nikkor 18-105mm kit lens at 90mm with VR on, hand held, f/11, 1/200s, ISO200, two Nikon sb's bounced into two bounce umbrellas, edited in Corel Paintshop Pro X4.

29 Oct 2012

26 Oct 2012

10 Oct 2012

So what exactly does a Circular Polarising Filter do?

I was asked by someone recently what a polarizing filter does and was it worth paying so money much for one? Well, the only way to answer this question is by example, so I set up, with a little help from God and nature, a perfect test area with a huge amount of reflection on wet leaves coming from the diffused light of the sun. Please note, these are for test and display purposes only and are not meant to look remotely pleasant to the eyes.

Here is the special test area unpolarized:


The leaves are wet and reflecting a lot of light into the lens and giving much less than desirable results. Or to use a highly technical term, "it looks yucky"!

Here is the exact same scene, a few seconds later, with the polarizing filter applied. It is simple enough to use, you simply rotate it until the shine goes away! Just remember to look through the viewer while you are doing this or you will not be able to see when you have achieved optimal effect. Live view works just as well.


The first thing you will notice, of course, is that the shine is gone! Vanished into thin air! The second thing that you will notice, is that the greens of the leaves are beautifully saturated, and the picture just looks better in every way. All that shine plays havoc with metering and exposure.

If you intend to photograph gardens, landscapes or shiny cars and buildings a circular polariser is a great idea that will assist you to get much better results by taking away the shine. In landscapes it will also give a beautiful deep blue sky, but it may not look great using wider lenses because the polariser will only turn part of the sky dark blue and it could all end up looking a little strange. Some people like this effect and do it on purpose.

Please note that the polariser reduces the amount of light entering the lens and so in low light shutter speeds may drop too low to hand hold requiring you to use a tripod.

Happy light hunting!