Downtown Fredensborg - Deserted

Taken at 23:03 at night and totally deserted it's almost eerie, but great for taking photographs. At this time of night there was still enough light in the sky to balance nicely with the street lights and end up with a single shot containing a wide gamut of fairly even exposure. This sort of photography always requires a tripod as we have to deal with longish exposures and hand holding is impossible without getting a blurry and unusable photo. Tripod = sharp and clear. Get a good sturdy tripod, it'll do wonders for your photographs!

Most people shoot until the sun goes down and then they head indoors for dinner. I try to hang around for an hour or two (or more) after sunset to get this sort of light. It can make for long, cold, hungry evenings, but it gets pictures that very few people are willing or able to take simply because they lack the dedication and commitment to suffer a little inconvenience to get the photo they really want. But then maybe I'm a little too obsessive about these things? ;-)

Nikon D300s, Nikon 18-105mm f/3.5-5.6 VR, sturdy tripod, remote trigger, f10.0, 13.0s, 18mm, VR off, ISO 200, Auto White Balance, Matrix Metering, Aperture Priority, quick run through Dx0 Optics Pro 8, and then some adjustments in the curves tool of PSP X5.

Why I think shooting after sunset is a good idea!

Yesterday I posted a comparison between a CPL filtered and un-CPL'd photograph and how using a Circular Polarising Filter can improve the look of your photographs during the day when the sun is shining.

But now I'm going to show you a photograph taken from the same spot (almost exactly) but that has a whole lot more "wow" factor simply because of the time of day it was taken. I took this photograh about 55 minutes or so after sunset but while the sun was still giving plenty of golden glow to the sky. The foreground is also lit by the street lights which kind of matches the colour of the sky, and also prevents the foreground from just being plain black.

Of course this required me going back to the beach much later and dressed a little warmer, but I think the results were well worth the effort!

At this time of the day colours are super saturated and beautiful. However, because the light is nowhere near as bright as during the day shutter speeds are way slower than while the sun is shining so a tripod becomes essential. I used f11.0 and let the camera choose it's own shutter speed which was a full 30 seconds in this particular case. A bit of playing with sliders in PSP X5 lowered the highlights, raised the shadow areas and increased the saturation some more until I got what I was after.

Nikon D90 and my trusty el cheapo 18-105mm kit "plastic fantastic" lens.

It's in the Details! 2

It's in the Details!

There is always something to photograph. Sometimes we just have to look a little closer.

Abstract Art From Film

The bokeh from my 50mm f1.8 Nikkor is just simply wonderful!

Nikon F801s, Nikon 50mm F1.8D, Fuji Superia 200 iso cheap consumer film, developed and extremely badly scanned by my crummy local lab. Edited with the Gimp.