Grillning förbjuden

Premier Hotel, Cullinan South Africa

Bride and Groom Kissing outside the Chapel

An oldie from my days of film, and still one of my favourite wedding photos. I was shooting with a Nikon F801s camera and a Nikkor 50mm f1.8D lens, a real workhorse combination that served me well for many years!

I would still be happily shooting film but in South Africa it became harder and harder to find anybody who could still process film properly and without leaving smudgy fingerprints on my negatives. I think that as time went on and the old film guys who knew what they were doing in the darkroom retired they were replaced by anyone (young, cheap and inexperienced) who thought they could punch the right buttons on the mini lab machine, and the darkroom art died out.

This is the way of the world and unfortunately profits drive everything. Having recently moved to Sweden I have discovered that local processing labs simply don't exist, so film use seems to be off the cards unless I decide to process my own... C'est la vie, now I have been shooting digital for a number of years and the "old days" of film remain as a pleasant memory.

Hurrah for Simplicity!

As the old saying goes: "less is more"! :-)

Monochromatic Simplicity

Stripped of colour a little discarded moss on a wooden jetty becomes a thing of simplistic beauty.

Swedish Country Scene - Alnarp

Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, handheld, f/8, 1/40s, ISO 200  edited in Lightroom 4.

So what exactly does a Circular Polarising Filter do?

I was asked by someone recently what a polarizing filter does and was it worth paying so money much for one? Well, the only way to answer this question is by example, so I set up, with a little help from God and nature, a perfect test area with a huge amount of reflection on wet leaves coming from the diffused light of the sun. Please note, these are for test and display purposes only and are not meant to look remotely pleasant to the eyes.

Here is the special test area unpolarized:

The leaves are wet and reflecting a lot of light into the lens and giving much less than desirable results. Or to use a highly technical term, "it looks yucky"!

Here is the exact same scene, a few seconds later, with the polarizing filter applied. It is simple enough to use, you simply rotate it until the shine goes away! Just remember to look through the viewer while you are doing this or you will not be able to see when you have achieved optimal effect. Live view works just as well.

The first thing you will notice, of course, is that the shine is gone! Vanished into thin air! The second thing that you will notice, is that the greens of the leaves are beautifully saturated, and the picture just looks better in every way. All that shine plays havoc with metering and exposure.

If you intend to photograph gardens, landscapes or shiny cars and buildings a circular polariser is a great idea that will assist you to get much better results by taking away the shine. In landscapes it will also give a beautiful deep blue sky, but it may not look great using wider lenses because the polariser will only turn part of the sky dark blue and it could all end up looking a little strange. Some people like this effect and do it on purpose.

Please note that the polariser reduces the amount of light entering the lens and so in low light shutter speeds may drop too low to hand hold requiring you to use a tripod.

Happy light hunting!

Up close to nature with a Nikkor 40mm f/2.8G DX

Taken with a Nikon D90 and Nikkor 40mm f/2.8G DX lens.

Mor Mor

My Danish mother-in-law, a real lady!

Nikon D90, Nikkor 35mm f1.8DX, hand held, ISO400, f3.5, 1/250s, natural light from a window, edited for contrast and cropped in Corel Paint Shop Pro X4. Did I mention that the 35mm f1.8DX is a really great lens? ;-)

It's in the Details! 2

Close Encounters of the Scary Kind!

Coochy, coochy, coochy coo!

SNAP!

Portrait of a Man

The eyes are the windows to the soul, and in photography we can capture that part of the reflection of the human soul for all the world to see. Isn't it all the more important then to make sure that all of our photographic skill is focused on capturing a persons eyes first and foremost and deal with the rest of the person as being only secondary to a successful portrait?

The 50mm f1.8 as a portrait lens

On a crop sensor camera a 50mm lens gives an equivalent focal length of about 75mm for Nikon and 80mm for Canon. This gives a greater distance between camera and subject, and crops out part of the image from the lens, and therefore two things happen:
1.) Distortion from being too close to your subject with a 50mm lens is eliminated because you have to stand further back to get the same framing. This pushes it a little closer to being a standard "portrait" lens, especially on a Canon.
2.) The weakest part of the cheaper 50mm lenses are the edges where fringing, aberrations etc. occur. But because the sensor is smaller these weaker areas are effectively cropped out all together and we are left with only the best part of the image! Oh yeah!

At the ridiculously low price of the "standard" 50mm f1.8 lens this means that it makes perfect sense to invest a small bit of cash to get near "pro" results! To get the same quality from a zoom you will be spending a LOT more money, and it will be larger and heavier to boot.

More "pros" than will care to admit it carry the nifty fifty in their bags, just ask them for a peek in their bags, it will be there somewhere. Ask Chase Jarvis, he has one in his bag too.

And if you are an "oldie" photographer and like the 50mm focal length because that was your favourite back when you still used a film camera (remember film?) then consider the Nikkor AF-S 35mm 1:1.8G DX  for a crop sensor Nikon cameras as it gets closer to what is considered a "normal" focal length which in this case equates to 52mm. I also hear good things about the Sigma 30mm f1.4 DC HSM for most brands of crop sensor cameras. These are both great for half body, full length or environmental portraits and also for small group shots, giving superb performance for a low cost, although I from what I hear the Sigma might not be as cheap as the Nikkor.

So if you have examples of portraits with the "nifty fifty" then please post a link to them below for the benefit of us all!