5 Jun 2013
Landskrona Stadshuset
The Landskrona Stadshuset, or in English simply the Landskrona City Hall, offices of the towns municipality, and very beautifully located overlooking part of the harbour.
4 Jun 2013
Fountain in Landskrona
In my ongoing quest to document everything worthy of photographing in Landskrona I now have this unusual fountain that stands in the middle of a roundabout at the intersection of Östergatan and Regeringsgatan.
3 Jun 2013
Landskrona Station
The Landskrona Station was opened in 2001 to replace the original station in town which is now used as a freight only station. The little metal flag on the top of the roof has the year 2000 on it which I assume means it was built in 2000. Both Pågatåg and Öresundtåg stop here providing easy transport links to pretty much anywhere in Sweden and to Denmark.
In the picture above a train is departing the station heading towards Helsingborg and leaving some nice light trails in it's wake.
2 Jun 2013
1 Jun 2013
Cobblestone Street in Landskrona
I am really enjoying Landskrona, mainly because it is such a picturesque and historical little town. It is 600 years old now and much of the old architecture is still in great shape making for a very wonderful place for a photographer to live! ...or visit. If you are in Southern Sweden then please drop by for a fika, and I'll tell you how to get to all the really good spots!
As always a tripod is a must for this kind of photography, this exposure was 5 seconds long and no amount of VR is ever going to make that hand holdable.
31 May 2013
How to Enlarge Your Lightsource for Softer Light, easily.
I did a little experiment this evening just to demonstrate how to make a really large lightsource and give much more even light on your subject than just blasting away with direct light.
I have two 65x65cm light boxes that are quite handy. So here is a pic of them set up pointing directly at a nice Dutch vase. The camera was on the tripod in front of the table.
From here it looks like that should make for some pretty good light on the vase, but as we can see in the next photo they also leave some not so great specular highlights on the vase and two distinct shadow areas behind the vase.
Not a bad photograph as such, but we can do much better than that! So, in order to increase the overall size of the light source I simply faced the lights up at the ceiling. Of course I also had to increase the power output of the lights because the light now had much further to travel and the inverse square law robs us of light very quickly when we increase the distance the light has to travel.
As you can see from the pic above the light has now been spread over a much larger area. So what has that done for our lovely Dutch vase?
Well the first thing you notice is that the ugly specular highlights have vanished and the light is much more evenly spread on the vase itself. The second thing is that the shadows behind the vase have also disappeared. Overall a much more pleasing result!
If all you have are two speedlights instead of the bigger studio lights then don't be disheartened because the exact same principle still holds true and will work just great. Simply pump up the power a bit and let 'er rip, it will have a similar wonderful softening effect on the quality of light.
Happy product photographing folks!
I have two 65x65cm light boxes that are quite handy. So here is a pic of them set up pointing directly at a nice Dutch vase. The camera was on the tripod in front of the table.
From here it looks like that should make for some pretty good light on the vase, but as we can see in the next photo they also leave some not so great specular highlights on the vase and two distinct shadow areas behind the vase.
Not a bad photograph as such, but we can do much better than that! So, in order to increase the overall size of the light source I simply faced the lights up at the ceiling. Of course I also had to increase the power output of the lights because the light now had much further to travel and the inverse square law robs us of light very quickly when we increase the distance the light has to travel.
As you can see from the pic above the light has now been spread over a much larger area. So what has that done for our lovely Dutch vase?
Well the first thing you notice is that the ugly specular highlights have vanished and the light is much more evenly spread on the vase itself. The second thing is that the shadows behind the vase have also disappeared. Overall a much more pleasing result!
If all you have are two speedlights instead of the bigger studio lights then don't be disheartened because the exact same principle still holds true and will work just great. Simply pump up the power a bit and let 'er rip, it will have a similar wonderful softening effect on the quality of light.
Happy product photographing folks!
27 May 2013
Citadellkliniken in Landskrona
The Citadellkliniken in Landskrona is probably the most beautifully located clinic I have ever seen, nestled as it is on a piece of land jutting out into the Öresund, with a lovely beach on one side and gorgeous seafront parkland on the other. Taken at 22.37 with the sky still fairly bright from a sun that set at 21.27 it is resplendent in a golden glow that couldn't be more spectacular!
Tripod, Aperture Priority, f11.0, 10.0s exposure time chosen by the camera, ISO 200, quick run through DXO and then time spent in PSP X5 working on colour, contrast and sharpening.
25 May 2013
Water Tower - Landskrona
This huge water tower dominates the landscape at the harbour area in Landskrona and just begs to be photographed! ;-)
Photo Shoot Your Way to Sales Growth - from TIME Business & Money
There is an interesting article on TIME's website in the Business & Money section that says what we knew all along! ;-) Click on the link below:
Photo Shoot Your Way to Sales Growth
Photo Shoot Your Way to Sales Growth
24 May 2013
Why I think shooting after sunset is a good idea!
Yesterday I posted a comparison between a CPL filtered and un-CPL'd photograph and how using a Circular Polarising Filter can improve the look of your photographs during the day when the sun is shining.
But now I'm going to show you a photograph taken from the same spot (almost exactly) but that has a whole lot more "wow" factor simply because of the time of day it was taken. I took this photograh about 55 minutes or so after sunset but while the sun was still giving plenty of golden glow to the sky. The foreground is also lit by the street lights which kind of matches the colour of the sky, and also prevents the foreground from just being plain black.
Of course this required me going back to the beach much later and dressed a little warmer, but I think the results were well worth the effort!
At this time of the day colours are super saturated and beautiful. However, because the light is nowhere near as bright as during the day shutter speeds are way slower than while the sun is shining so a tripod becomes essential. I used f11.0 and let the camera choose it's own shutter speed which was a full 30 seconds in this particular case. A bit of playing with sliders in PSP X5 lowered the highlights, raised the shadow areas and increased the saturation some more until I got what I was after.
Nikon D90 and my trusty el cheapo 18-105mm kit "plastic fantastic" lens.
But now I'm going to show you a photograph taken from the same spot (almost exactly) but that has a whole lot more "wow" factor simply because of the time of day it was taken. I took this photograh about 55 minutes or so after sunset but while the sun was still giving plenty of golden glow to the sky. The foreground is also lit by the street lights which kind of matches the colour of the sky, and also prevents the foreground from just being plain black.
Of course this required me going back to the beach much later and dressed a little warmer, but I think the results were well worth the effort!
At this time of the day colours are super saturated and beautiful. However, because the light is nowhere near as bright as during the day shutter speeds are way slower than while the sun is shining so a tripod becomes essential. I used f11.0 and let the camera choose it's own shutter speed which was a full 30 seconds in this particular case. A bit of playing with sliders in PSP X5 lowered the highlights, raised the shadow areas and increased the saturation some more until I got what I was after.
Nikon D90 and my trusty el cheapo 18-105mm kit "plastic fantastic" lens.
Landskrona Citadel - a High Dynamic Range Photograph.
From Wikipedia: Landskrona Citadel (Swedish: Citadellet or Landskrona slott) is situated in Landskrona, Scania, southern Sweden. Initially built 1549–1559 as a purely defensive fortification with two complete moats, the inner with a width of 70 metres (230 ft). The outer (complete) moat is between 40 and 70 metres (130 and 230 ft) wide, and has cross fire bastions for artillery and guns. Outside the outer moat, a third narrower moat covers the northwest and northeast. There also exist remains of a fourth moat (between the two outer moats). The fortifications and moats system surrounding the castle is known to be one of Europe's largest and best preserved.
Three bracketed photos taken 2 stops apart, a quick run through DXO 8 for the special pixie dust magic that the elves at DXO lavish upon RAW photos to make them look better, and then "Exposure Merged" in Corel Paintshop Pro X5. Tweaked the levels, contrast and did some sharpening, also in PSP X5. For this type of photography a sturdy tripod is essential because of the very long exposure times. I used my D90 and the 18-105mm kit lens, Aperture Priority and f11.0, always RAW. :-)
23 May 2013
Comparison between Polarised and Unpolarised images.
After all these years the effect of a circular polarising filter still seems a little magical to me. First picture is without and then a few seconds later I took the second with the circular polarising filter applied. I am sure you will agree which looks best!
Like I said... magic!
This is a beach in Landskrona, the building is a clinic of some sort and in the distance you can see the island of Ven. The concrete blocks in the foreground are left over fortifications from the Second World War that Sweden built just in case the Germans invaded. They remain unused to this day, to the great relief of everybody in Sweden.
Nikon D300s, Nikkor 35mm 1:1.8G DX AF-S, Circular Polarising Filter, M mode.
This is a beach in Landskrona, the building is a clinic of some sort and in the distance you can see the island of Ven. The concrete blocks in the foreground are left over fortifications from the Second World War that Sweden built just in case the Germans invaded. They remain unused to this day, to the great relief of everybody in Sweden.
Nikon D300s, Nikkor 35mm 1:1.8G DX AF-S, Circular Polarising Filter, M mode.
17 May 2013
A (fairly) Standard Three Light Portrait
Three Elinchrom lights used. Main light camera left Elinchrom 4 bounced into a black backed umbrella from about 45° up and 45° to the subject. Fill light camera right Elinchrom 4 about 1 stop down from main shot through a transparent umbrella. Back light Elinchrom 2 right and behind subject in a medium sized softbox. Nikon D300s and Nikkor 50mm f1.8D.
All this and another light, light stands, plus a background stand, backdrop, two cameras complete with lenses, plus a tripod all fit into one large rolling case to become my highly portable studio ready to leave and shoot on location at any time. Very convenient indeed!
15 May 2013
Church in Mellösa Sweden (another take)
I posted a black and white pic of this church last year on this page here: Church in Mellösa Sweden The pic above was taken on the same day, but I prefered this one in colour. Why? I think it has to do with the red building on the left that brings a splash of life to an otherwise drab colour scheme.
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