I had the opportunity to shoot a garden wedding in France and the couple were wonderful!
27 Jun 2016
26 Mar 2016
Popped down to the local liquor store in Landskrona today to fill up on wine and other essentials and was pleasantly surprised to see that they had a healthy, but expensive, stock of Newcastle Brown Ale. Best beer ever!
Of course once I got home I was compelled to photograph this delicious beverage, and what better place than in my home made pub.
There is a healthy mix of lighting going on here with the led lights of the bar on as well as some daylight from a window to the right and then a Nikon SB910 hand held to camera left pointed at the ceiling for nice diffused bounce light and triggered via CLS. I had a slow shutter speed of 1/25th to ensure the background light was captured along with the balanced flash to add the right atmosphere. The lens was wide open at f2.8 to blur the background and isolate the main subject.
21 Mar 2016
Combining my love of photography and music by photographing my Yamaha guitar with my latest addition, a Hohner Crossover harmonica. Two quality sounding instruments that do not fulfill their true potential by virtue of my enthusiastic yet somewhat limited efforts.
My only light comes from a Nikon SB910 speedlight hand held to camera left, pointed at and bounced off the ceiling for soft light, and triggered wirelessly via Nikon's great CLS system.
My camera of choice was a Nikon D300s fitted with the excellent and sharp Tamron 17-50mm f2.8 non stabilised lens, fully zoomed at 50mm, shutter speed of 1/160th of a second with aperture of f5.6 and iso set at base 200.
Edited in Lightroom.
17 Feb 2016
14 Feb 2016
I got to photograph a geisha for an assignment yesterday that involved props and a lot of makeup. The lighting was simple enough. Main light is a Nikon SB910 from camera right and about two feet higher than the model's head at 1/1.7th power bounced into a black backed umbrella. The background light was a Nikon SB700 at 1/64th power mounted on a really tiny light stand I got off Amazon which was flagged to stop spill onto the back of the model and faced sloped up towards the black background. I changed things up a bit by mounting a tungsten filter on the SB910 and setting the camera white balance to tungsten as well, which means the background light shows up a beautiful blue while all is perfectly normal with the light on the model.
5 Jan 2016
Another from the Sweeney Todd photo session.
Lighting the same as previous photo, i.e.:
I had my main light, a Nikon SB700 shooting through a 1/8 grid at 1/20th power from high to camera right, and to fill the shadows I shot a Nikon SB910 into a black backed umbrella at about 1/40th power to camera left and just about level with the camera's height. Both Speedlights were triggered wirelessly via Nikon's awesome CLS wireless triggering system.
3 Jan 2016
Took an interesting Sweeney Todd portrait yesterday that required a more "stage lighty" type look. Having worked on stage lighting many years ago I know that it can often be a little more hard and direct than we like in most photographic portraits. I had my main light, a Nikon SB700 shooting through a 1/8 grid at 1/20th power from high to camera right, and to fill the shadows I shot a Nikon SB910 into a black backed umbrella at about 1/40th power to camera left and just about level with the camera's height. Both Speedlights were triggered wirelessly via Nikon's awesome CLS wireless triggering system.
18 Dec 2015
A three light portrait with a Middle-Eastern style theme.
Three Nikon Speedlights used, one gridded from camera left as main, one snooted from camera right slightly behind the subject and higher, one through a brolly to camera right for slight fill. All controlled and fired via Nikon's excellent CLS wireless trigger system.
16 Nov 2015
Decided to try something a little more dramatic today and shot this film noir style portrait with a snooted Nikon SB 910 shooting from high camera right directed down to Ellie's face and a snooted Nikon SB 700 splaying some light onto the background from camera left and slightly lower than Ellie's head. Both Speedlights were triggered via Nikon's fantastic CLS wireless trigger system.
I am rather satisfied with the dramatic atmosphere of the portrait and I think it harks back quite well to the early Hollywood film noir movies.