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A step into the not so distant past...

Who would have thought at the time that just a few years later Kodak would have abandoned slr's forever!

Check out this article about the then brand new and top of the line DSLR from Kodak: DCS 760 delivers crisp, clear photos.

Another "Portrait in a small place"

Click HERE to see the set-up shot and more info for this photograph.

Portraits in small places

So you don't have a studio, and the wife won't let you convert the spare room either, and the garage is full of junk, so what to do to be able to use that shiny dslr and the speedlights you got for Christmas last year and you've been itching to put to good use? Well you make some compromises and improvise. I have been living in a small apartment for the past year and don't have much space, but I can still setup my lights for a two light pic like the one below:

Here is how I set it up:

By using the curtains as a backdrop and squeezing the lights in between couches and side tables I managed to get a fairly good two light portrait set-up. Behind the model is my Strobist DIY Beauty Dish on a tripod. To the right and high is a shoot through umbrella on my junky tripod converted to super cool light stand. Nikon sb600 in the beauty dish and sb700 in the umbrella, both triggered via Nikons very cool CLS system. Easy peasy!

Studio session with a Famous Fashion Icon!

Probably the most recognized face on the planet, and for all the wrong reasons. If you would like to practice portrait lighting setups on a small scale Barbie is your girl though! She doesn't charge much, she is very co-operative and always has a friendly smile. Oh, and she never complains about working long or odd hours.

Here is my small scale studio set-up:

The light on the left is my Strobist DIY Beauty Dish draped in a swathe of thin white material that basically turns it into a small softbox.

The Barbie doll was set into a cake and decorated for a 6 year olds birthday party.

Venetian Painted Mask

Face painting is not just for children!

Portrait of a Man

The eyes are the windows to the soul, and in photography we can capture that part of the reflection of the human soul for all the world to see. Isn't it all the more important then to make sure that all of our photographic skill is focused on capturing a persons eyes first and foremost and deal with the rest of the person as being only secondary to a successful portrait?