This is my favourite John Sevigny photograph, something in this pic just speaks to me:
A whole lot more John Sevigny here: www.johnsevigny.com and here: http://gonecity.blogspot.com/
16 Oct 2010
Featured Photographer - John Sevigny
Love him or hate him, the guy certainly stirs up emotions and makes you sit up and take notice!
This is my favourite John Sevigny photograph, something in this pic just speaks to me:
A whole lot more John Sevigny here: www.johnsevigny.com and here: http://gonecity.blogspot.com/
This is my favourite John Sevigny photograph, something in this pic just speaks to me:
A whole lot more John Sevigny here: www.johnsevigny.com and here: http://gonecity.blogspot.com/
15 Oct 2010
Ellie - Cross Processed!
Another of Ellie, but this time by natural light and run through the "Cross Process" plugin of Paintshop Photo Pro X3.
14 Oct 2010
Low Key Portrait
I attended an excellent studio lighting workshop by Pat Bredenkamp today and at the end we were allowed to play with the lights for a bit, so I had some fun! Single 250 watt studio light high right and slightly behind the model with snoot and honeycomb grid.
12 Oct 2010
The Aliens have landed!!
I was bored and decided to have a little fun with an LED flash-light, my tripod and a few victims willing volunteers!
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| Arrested by the Aliens! |
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| Bedazzled by the Aliens! |
7 Oct 2010
5 Oct 2010
Time for another portrait! So, without further ado, heeeeeers Kevin!
Cue the sound of wild applause!
Why thank you...
3 Oct 2010
2 Oct 2010
28 Sept 2010
Secret Film Development Process
I have been working on a new top secret film developing process which I shall now explain for the more technically minded among you. Please keep it to yourself because if this gets out then everybody is going to be doing it and it won't be unique, or secret, any longer.
Here it is step by step:
1.) Acquire any old 35mm film camera (cheap because nobody wants them any more) I used a Trip 35, but this process should work equally well with other types/brands too.
2.) Find some heavily expired, discontinued slide, E6, film. It's even better if it has been hand rolled into a C41 negative film canister. For the purposes of this scientific, photographic research I used Kodachrome 64, hand rolled into a 200 ISO Agfa negative film canister.
3.) Load said film into purchased camera.
4.) Find a subject and shoot it.
5.) Take film out of camera.
6.) This step is very important. Take film to local film development lab and hand it in without telling them what the film really is. They should just stick it through the regular C41 machine and press "go", or whatever it is they do back there that got so expensive to do in the last ten years.
7.) When you go to pick up the film they will think the film is ruined and they might not charge you for the development. Make sure you take the film home anyway, don't be a sucker.
8.) Scan your film as negative film.
9.) Mess with the resultant images in the GIMP/Photoshop/Paintshop Pro, etc. until it looks kinda old and groovy like the samples below.
10.) Post them on-line for all to see and claim that you have discovered a new top secret process for developing film.
What are you doing here reading this blog post, get out now and go have some fun! GO!
Here it is step by step:
1.) Acquire any old 35mm film camera (cheap because nobody wants them any more) I used a Trip 35, but this process should work equally well with other types/brands too.
2.) Find some heavily expired, discontinued slide, E6, film. It's even better if it has been hand rolled into a C41 negative film canister. For the purposes of this scientific, photographic research I used Kodachrome 64, hand rolled into a 200 ISO Agfa negative film canister.
3.) Load said film into purchased camera.
4.) Find a subject and shoot it.
5.) Take film out of camera.
6.) This step is very important. Take film to local film development lab and hand it in without telling them what the film really is. They should just stick it through the regular C41 machine and press "go", or whatever it is they do back there that got so expensive to do in the last ten years.
7.) When you go to pick up the film they will think the film is ruined and they might not charge you for the development. Make sure you take the film home anyway, don't be a sucker.
8.) Scan your film as negative film.
9.) Mess with the resultant images in the GIMP/Photoshop/Paintshop Pro, etc. until it looks kinda old and groovy like the samples below.
10.) Post them on-line for all to see and claim that you have discovered a new top secret process for developing film.
What are you doing here reading this blog post, get out now and go have some fun! GO!
25 Sept 2010
My favourite guest house in Witbank
If you are going to be staying in Witbank at any time in the near future, I highly recommend the D&L Guest House! Great guest house, fantastic service, personal touch.
24 Sept 2010
17 Sept 2010
Contemplation
Another natural light shot, with harsh light streaming in through a window. I like to think it adds mood...
16 Sept 2010
My friend Jesus - Portrait
After shooting a bunch of portraits with my cheapo umbrella/flash set-up I decided to take an available light portrait of my Mexican friend Jesus.
The Nikon 35 f1.8 DX AFS does a really great job, and sharp too!
15 Sept 2010
Micro Stock photography sites are "evil"
At least most of them are... and I have believed for some time that they have damaged the industry. Nice to see someone agrees with me. There is an article here: “Unsustainable” – MicroStock Comes of Age…er, Not. that deals with the Micro Stock photography industry and explains why it is not all coming up roses.
I personally have never had the urge to sell my hard work for a pittance and probably never will develop that urge, but the Micro Stock industry has affected many hard working photographers worldwide negatively anyway. If you feel the urge to work for nothing, at least do it for a good charitable cause, not to simply enrich some jerk in an office a thousand miles away!
I personally have never had the urge to sell my hard work for a pittance and probably never will develop that urge, but the Micro Stock industry has affected many hard working photographers worldwide negatively anyway. If you feel the urge to work for nothing, at least do it for a good charitable cause, not to simply enrich some jerk in an office a thousand miles away!
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