20 Oct 2011
Probably the most recognized face on the planet, and for all the wrong reasons. If you would like to practice portrait lighting setups on a small scale Barbie is your girl though! She doesn't charge much, she is very co-operative and always has a friendly smile. Oh, and she never complains about working long or odd hours.
Here is my small scale studio set-up:
The light on the left is my Strobist DIY Beauty Dish draped in a swathe of thin white material that basically turns it into a small softbox.
The Barbie doll was set into a cake and decorated for a 6 year olds birthday party.
5 Oct 2011
4 Oct 2011
The eyes are the windows to the soul, and in photography we can capture that part of the reflection of the human soul for all the world to see. Isn't it all the more important then to make sure that all of our photographic skill is focused on capturing a persons eyes first and foremost and deal with the rest of the person as being only secondary to a successful portrait?
26 Sept 2011
And below the set-up shot for "Bowl of Rice".
Normally I would try to get rid of the light spill from the flash shooting into the umbrella, but in this case it actually helped with the light I was trying to achieve by reflecting some light from slightly behind the subject.
Nikon D90, Nikkor 50mm f1.8D, f4.5, 1/200s, Nikon sb700 flash shot through a white umbrella with the wide angle flash diffuser out, hand held.
19 Sept 2011
PLEASE NOTE - ALL SOLD OUT!
I recently sold off my beloved film cameras (except for the Olympus Trip 35) and so I am letting my film stock go as well. If you are in South Africa and interested in 35 rolls of expired but frozen for years film then drop me a note at firstname.lastname@example.org and we can make arrangements for delivery. There is Provia, Velvia 50, Kodak EPR 64, etc. The works for only R300!
The usual set-up shot follows:
4 Sept 2011
3 Sept 2011
2 Sept 2011
31 Aug 2011
So I have been trying to
Nikon D90, manual mode, 18-105 kit lens, zoomed to 105mm, f22, 1/200s, ISO200, Nikon sb600 to camera left and behind Ben shot bare and sb700 camera right with shoot through umbrella with both fired wirelessly via Nikon's nifty CLS system. Edited in Corel Paint Shop Pro X3 (which is going for a bargain price right now btw!).
I am selling my trusty Toyota LandCruiser FJ62 4X4 Station Wagon.
Well looked after. Motor professionally redone last year by Toyota SA. Comes with bull bar, roof carrier, high lift jack, 4x metal Jerry Cans, full alarm/immobilizer/anti-hijack system, Dobinsons shocks and springs all around, recovery strap, window tinting and cd/radio. The "real deal" for overland travel through Africa!
If you are in the market for a good used 4X4 (and you live somewhere in Southern Africa!), then send me an email at email@example.com
And just in case you are interested, here is the obligatory set-up shot, it is a photography blog after all!
Nikon D90, 18-105 kit lens, taken in the middle of the day but in shade, zoomed to 52mm, manual mode, f8.0, 1/200s, ISO200, Nikon sb600 camera right and sb700 camera left fired wirelessly via Nikon's uber cool CLS system. I underexposed the shot a slight bit and let the flashes sort out their own exposure themselves via iTTL, this had the effect of a darker background which made the vehicle stand out. Isn't technology wonderful!?
21 Aug 2011
16 Aug 2011
An old photo taken with a Nikon F801s and a junky Quantaray 35-80 zoom, in the late afternoon sun. This was my first attempt at a still life just after I had bought my very first SLR. While not a great photo in technical and artistic terms, it still holds a special place for me.
13 Aug 2011
Just in case anybody was wondering how complicated it is to do a seamless white background product photo shot like the one below, I have included a shot at the bottom of this post to show how simple it can be done.
...and the promised setup shot:
Really not complicated at all! The flash was triggered via Nikon's cool CLS system. The groovy light stand is explained at another post here.